Woordfees: Goed wat wag om te gebeur –’n wipplank van emosies Dié teater is ’n spieël van die menslike siel. Dit is ’n ruimte waar ons die diepste en donkerste...
Woordfees: The limitations of Le Franc’s minimal dialogue Djibril Diop Mambéty’s Le Franc is a challenging cinematic experience due to its almost complete lack of dialogue. While...
Woordfees: Film charts theatre of apartheid resistance South African poet and playwright Adam Small was renowned for the sheer brilliance of the way his plays worked...
Woordfees: White victim mentality posing as satire? There are undeniable issues facing South Africa. Corruption plagues state-owned entities that have been run into the ground, the...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...
Woordfees: ‘Ver in die wêreld Kittie’ – ’n fees vir oud en jonk Ver in die wêreld Kittie is ’n musiekblyspel wat jou met ’n glimlag op jou gesig en ’n deuntjie...
Woordfees: Kortfilms skram nie weg van ernstige kwessies Óf dit nou hoërskool-ontgroening óf maandstonde voor ’n belangrike vergadering is, albei verbouereerde scenario’s sal jou karakter en deursettingsvermoë...
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: Masterful performances in Masterclass Sandra Prinsloo showcased her decades of stage expertise in Terrence McNally’s Tony Award-winning theatre production, Masterclass on 7 October...
Woordfees: The eerie brilliance of ‘The Woman Who Fed the Dogs’ Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining...